 Caroline Martin was
the DJ on air when this picture was taken in 1995. On the right are the sturdy
turntables (which function well in all but the roughest seas) although newer
technology has crept in and CD players are used. too. Above the record decks
are the cartridge players - the jingle cartridges are in the rack above the
mixer. Even these have now been replaced by mini-discs.
No studio would be complete without the ubiquitous
coffee mug and ash-tray. |
 The music library is near to the
studio, behind the bridge. Records are neatly filed, in alphabetical
order. The original collection went down with the Mi Amigo in 1980, but the
replacement collection started with the new ship in 1983 was confiscated in the
1989 raid. However, this has now been returned and combined with the third
collection that was instantly created. Most of the sleeves bear cryptic
comments about certain tracks, and some bear labels from the days of the
Caroline Overdrive days when logs had to be kept of when certain tracks were
played on that programme. |
 Early broadcasts were carefully
regulated and "playlists" issued. However, since 1972, Radio Caroline has been
one of very few stations where DJ's have been allowed to choose their own
music. Art times, sponsorship has decreed that certain tracks have had to be
played at certain times, but in the main total freedom has been
given. In the 1980s, a method was
devised to ensure a variety of music was played. In the example illustrated,
two clock-faces represent "even" and "odd" hours. In the odd hour, for example,
the first track played is from the 1960s (marked 60 on the chart), followed by
1980s, new, 1970s and so on. This
system allows the DJ's to develop their own style of programming without
failing to provide music for all ages and tastes. |
 There are a number of other
studios on board, from well fitted out ones (as seen here) to tiny, basic
studios for news-reading or taped programmes. This studio is opposite the main
one, and divided only by a glass window. At present this studio is used for
production work, such as jingles and commercials. |
 That concludes this illustrated
tour of the Ross Revenge, so we finish with what must be nearly everybody's
last view of the ship - staff and crew waving away the tender boat as it
returns to shore.
In this instance, during the
August 1995 Clacton broadcast, DJs Chris Kennedy and Tom Lodge wave a friendly
farewell. |
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